Sound quality is really good considering the age and origin of the master tape. Mason really seems to enjoy this song and this style of playing, and so do I. Violent and haunting version of IO, really great (as the commentor above mentioned). Great performance though, despite this cut (which is btw the only I noticed on the record). At 06:38 in ASoS (section 'Syncopated Pandemonium') there's a cut with 2 seconds of silence, and after that the song leaps back into 'Storm Signal'-section. There _are_ cut(s) in songs on this record, at least in my version. All instruments and vocals are clearly audible. I notices most just at the beginning before all instruments are heard on Astronomy.
Rogers introduces some tracks, and after CWtAE he lets out a crackle reminiscent of Several Small Creatures and/or PowR TocH. A lot of improvisations on these tracks Definitely complements the first half of Ummagumma. Can use a crosscheck reference (Miles) to confirm if they were in UK at this time on. Not sure if the date is presented in US format (month/day/year) or European (day/month/year) package says 5/9/69. The Beginning (Green is the Colour)- 3:29
, University of Southampton, Highfield, Southampton, Hempshire UK 5/9/69 (Late Evening Show)Ĥ. No booklet, but backside of front cover contains backstage photo and behind the CD the clear case reveals a photo from the Floyd's '68-69 publicity shot in front of the old bi-plane (as seen inside spread from "A Perfect Pair". Track listing and venue info listed in back. Back cover contains another photo from same show but different angle (front cover appears higher back cover is lower than stage looking up from Gilmour's feet). Centered is a photo of the Floyd that looks '69ish where the bank is playing on a small stage in what appears to be a small venue. Pick this one up if it presents itself to you but don't work for it.įront: White bordering with Pink Floyd written on top and "Beset by Creatures or the Deep" written on bottom. I feel I am becoming spoilt already in my process with a lot of bootlegs still to go. The performance isn't bad but pretty uninspiring in my opinion, the only real standout for me was 'Interstellar Overdrive' which had lot of great improvisation on it and some different parts I had not heard before. The small cut mentioned in the original info in ASOS is noticeable but only just, it sounds like they all come to a dead stop at the same time, it doesn't spoil the album in any way. The one is pretty good sound quality there is a noticeable volume drop in the middle of CWTAE but other that that it is easily listenable. Hopefully if I now mention is have ben stuck in a rut of mediocre boots I will have a change of luck.
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